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Use sandpaper to improve the tooth of coloring book pages

Today, September 14th, is National Coloring Day. Of course coloring isn’t limited to coloring books, but over the last few years they’ve definitely become more prevalent! Whether they’re your preferred place to apply color or something you only do with kids, you’ve likely noticed that the paper quality can vary greatly. From thick cardstock to what’s basically printer paper, the type of paper will affect everything from what media you can use in the book to if you can actually color both sides of the same page.

On average, most adult coloring books use a slightly thicker-weight white paper that can handle all dry media as well as water-based markers, with some bleed-through if you press too hard or go over the same spot repeatedly. Crayons and colored pencils will lay down pretty evenly as the paper has little-to-no tooth, but if you’re the kind of artist who prefers to work with a more textured paper, here’s a tip that can help transform the books you already own – sandpaper!

I’ll demonstrate this in my copy Archie’s Coloring Book (and there’s a video demonstration at the end of the post).

This is a great book that is jam-packed with tons of images of Archie and the gang, showcasing everyone from the core trio to side characters (Dilton, Moose, Cheryl, Sabrina, Josie and the Pussycats, Miss Grundy, Mr. Weatherbee), to the ‘Lil Archie gang. Even Jughead’s dog Hotdog appears in all his shaggy glory!

I first thought about this back in 2017 after watching one of SuperRaeDizzle’s videos on dollar store art supplies. If you don’t follow her you really should – she’s a fantastic artist who does a lot of art supply reviews and draws/paints with incredible realism. In the linked video she uses a sanding block to rough up a sheet of inexpensive Bristol board to give it a better drawing surface.

I thought it was really cool but didn’t think it applied to me – until I started wondering if the same technique would work in what I was using a lot of at the time – coloring books. In theory it seemed like it should work but with the paper so much thinner than Bristol board I didn’t know if it would work. Would it tear the paper? Would it destroy the printed outlines? Would the ink bleed?

I had to try it for myself. To make the results as clear as possible I chose a page that allowed me to clearly divide the page into two halves.

I left the Veronica side of the page untouched and sandpaper I had on-hand to lightly rough up the Betty side of the page.

Here you can see the before (left) and after (right). There’s no obvious distress to the page though if you look closely at the black line of Betty’s shirt near the guitar you can see faint striae where the ink was removed.

To hold the book open while I worked I used my pants hanger hack. Still highly recommend!

I then set about coloring the page with Faber-Castell Polychromos colored pencils. I was careful to color in both girls the same way, using the same colors and applying the same amount of pressure.

Right away you can see a difference! Coloring on the Veronica side was exactly like coloring with colored pencils on computer printer paper (though I think this paper is slightly thicker). It’s super smooth and flat without any tooth or texture at all, and the colored pencil glided over the page really easily. On the Betty side I could feel the roughened-up surface of the page and it gave the colored pencil something to grab to, making coloring a very different experience.

It’s difficult to put the feeling into words but coloring the Veronica side felt like I had to concentrate more, because my natural tendency was to use more pressure to get more color payoff, whereas on the Betty side the same amount of barely-there pressure gave a richer color payoff.

Coloring on the super-smooth side made me very conscious of trying to not color too hard because it took more work to lay color down. On the flip side, coloring on the textured side of the page made color application a breeze, to the point where I had to concentrate on not applying too much and losing any highlights.

Both sides are colored the exact same way, using different colors for shading. I didn’t want to do anything too fancy because this was only a test; it was more about seeing if the sandpaper would ruin the book or any attempts to color vs me trying to get a professional-looking result.

I’d sanded the guitar evenly down the middle and thought there would be a more obvious difference between the two sides but I’d say it’s pretty subtle. Again- the sanded side has more depth and more color payoff while using the exact same pressure as the unsanded side.

I was also curious if sanding the paper would affect marker application, so decided to fill in the music notes with a mix of sparkle and metallic gel pens, in black and charcoal. I was really happy to see that there didn’t seem to be any effect on how the gel ink applied, and that both sides had the same amount of glitter and shine in the light.

Finally I wanted to see if there would be any issues coloring on larger open areas, so I picked two colors and experimented with blending them to each other. In my first layer of color (2nd image from the left) you can see that both sides are streaky but the funny thing is it’s for different reasons!

Veronica’s side is streaky because I struggle with laying down barely any color…though I probably didn’t have a proper point on my pencil, which didn’t help. Whereas Betty’s side is streaky because that’s the grain from the direction I’d sanded. You can see it better in the image below (though I sort of like the streaky look on her jeans because it makes them look more like real denim LOL)

The last test that I did was to compare the difference that burnishing would make on either side. I went over both sides of the guitar with my beloved Prismacolor Premiere colorless blender and really tried to smooth any grain down and move the color to fill any remaining white areas. I have the page open in front of me as I type this and while my fingertip can tell the difference between the two sides it is SLIGHT, and definitely not as much of a contrast as the rest of the page halves.

(And truthfully I’m not completely convinced that I’d feel a texture difference there at all if I hadn’t sanded too hard in that spot, as you can see by the diagonal lines of indentation on the lower right of the guitar)

Here’s the completed page. If I didn’t know that one side had been sanded I would think that I’d colored harder on the right side, and possibly used a different color for Betty’s jeans and background, as I do feel that there’s a visible difference in this closeup.

I don’t find the difference is as obvious in this image, though I’m not sure if it’s because the black background is causing a distraction.

After trying this once I’m a convert! I have a large collection of coloring books and I think this technique opens up a world of possibilities for getting different effects and results with colored pencils, crayons, and pastels. The opportunities expand even further if you experiment with different grits of sandpaper!

Imagine coloring a fantasy scene and sanding a grassy area with one grade of sandpaper, bricks of a castle with another, and the bark of a tree with a third… you could get a whole range of textural effects within the image all before even laying down any color!

Other notes: in the video below you’ll see a little bit of ink smearing. That was due to pressing too hard with the sandpaper, so it’s avoidable but something to watch out for. I was happy to see that there was no consequence to the back of the sanded page, nor any texture transfer on the facing page.

Here’s a graphic for those of you who like to pin my posts, and as promised above, here below is a video showing this technique in action.

This post may contain affiliate links. This means I might make a small commission on purchases made through the links, at no cost to you.


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Flipboku Molecularis Paper Test (& New Kickstarter Announcement!)

Almost 2 years ago I backed a Kickstarter with an interesting premise: part coloring book, part magic trick, it promised to provide 6 completely different coloring book-style flip books in one tidy little package.

They even had a 2nd book – Blanko – for people who wanted to draw their own. I backed at the level where I got just the one already-illustrated book – Molecularis – and when it arrived I can say with complete sincerity that I was absolutely delighted.

The flip book comes in a snug little box/case to keep it clean and protected, and there’s even a neat little secret hiding inside-

A handy little page separator to put between the pages as you color! It appears to be made of the same sturdy cardboard as the cover, which is great as it will help prevent depressions from going through to subsequent pages and causing ghost images to come through.

The book actually contains 6 individual flip book animation sequences, with a different one visible depending on how you hold/flip the pages. The secret is in how the pages are cut, similarly to those “Now it’s empty! Now it’s illustrated! Now it’s fully colored!” ‘magic’ books magicians use. The illustrations are so fun and playful and I couldn’t wait to pull out my coloring supplies and dive in.

But I hesitated. You see, the book is reversible, in the sense that there is a different illustration on the back of each page, which will be used in a completely different animation. What if I used the wrong media? What if my markers bled through? What if water-soluble products warped the paper? The page protector is a wonderful inclusion, but it will only stop staining from going through to the following pages. It cannot prevent bleed-through onto the back of the page being worked on.

So I did something that’s perhaps a little unorthodox. I contacted Flipboku through their Facebook page and asked if they had any extra paper, of the kind they’d used in Molecularis. A full sheet… scraps off the cutting room floor… anything, in any size, would work as long as it was the same paper quality, which I could then test with a range of coloring supplies.

Perhaps because they’re a little unorthodox themselves, they agreed (thanks Julie!), and a little while later I received a thin, flat package in the mail. I’d expected scraps, perhaps narrow little trimmings from when they cut the pages to size, but instead I was pleasantly surprised to find two good-sized sheets of the Molecularis paper, as well as a couple of pages from the Blanko book as well.

The first thing I did was figure out how many products I was going to test, and then draw a grid on the sample papers to delineate each implement. For the Blanko paper I kept the grid small enough to only use one sheet, because it’s regular paper and I was pretty sure I knew how the different media would react.

On the Molecularis paper I went for a bigger grid, using most of one sheet so I could save the other for future testing if necessary. Since the coloring images in the flip book are mostly all small-ish, ovoid shapes, I drew a little squished circle in a similar size so I could see if coloring a contained shape would cause more bleed (from going over and over the same area to fill it in). I also kept a few sections wider for testing water-activated media like Inktense, watercolor pencils and Neocolor II water-soluble crayons so I could see if the paper would warp after getting wet.

I ended up testing 26 different coloring tools, focusing mainly on wet-based media. I didn’t test crayons because I knew they would be fine, though I did include colored pencils just so I could see if the pressure they required would indent the paper at all.

The supplies tested are:

  1. Sharpies – regular (fine) point
  2. Sharpies – neon [I was curious if the brighter pigment would be “juicier” in a way that would be more likely to cause bleed-through]
  3. Sharpies – chisel-tip [same rationale as for the neons, except due to the amount of ink transferred from the wider nib]
  4. Sharpies – metallic [I wondered if the metallic ink was a different formula from the regular one so would behave differently]
  5. Sargent Metallic Ink Markers
  6. Studio Metallic Ink Markers (from Dollarama)
  7. Micron fineliner – 0.5 size
  8. Copic multiliner – 0.8 size
  9. Bic Mark-It! fine tips
  10. Bic Mark-It! ultra-fine tips
  11. Stabilo 88 0.4mm fineliner markers
  12. Staedtler Triplus 0.3mm fineliner markers
  13. water-based dual-tip markers (Soucolor & Feela) – fine tip end
  14. water-based dual-tip markers (Soucolor & Feela) – brush tip end
  15. Crayola Supertips
  16. generic highlighter
  17. Faber-Castel Polychromos colored pencil
  18. Spectrum Noir alcohol markers
  19. Gel pens (assorted brands)
  20. Gelly Roll gel pens (assorted colors)
  21. Glitter paint markers
  22. Derwent Inktense water-soluble ink pencils
  23. Koh-I-Noor Mondeluz Aquarelle watercolor pencils
  24. Caran D’Ache Neocolor II water-soluble crayons
  25. Wink of Stella clear glitter brush
  26. Studio Roller Pen

Here’s my testing grid after doodling. I deliberately picked purples & blues as those dark colors tend to bleed through more frequently than yellows and greens, etc.

I have to say that coloring on the Molecularis paper was a WONDERFUL experience! Nearly every product I tested glided smoothly over the paper without effort and left rich, even color with minimal strokes or feathering. Only a few products bled over the shape outlines, but they were all Sharpies which are alcohol-based and often have a bit of overbleed. The paper handled the wet media column on the right like a champ, thick like a cardstock so there was no warping, but with just enough texture to get mileage out of the watercolor media. It’s also lovely with colored pencils, having just enough tooth to take color well, leaving me certain it would also be great with charcoal & graphite.

The Blanko paper handled just like regular paper, because that’s what it is. It is smoother than the Molecularis paper, much thinner, and much more of a bright white.

Ready for the results? I was! I deliberately didn’t peek at the back at all while swatching, and had left the paper overnight in case any seepage would occur as the inks dried. The next day I turned the papers around and-

The results 100% blew my expectations out of the water!

I’ll start with the Blanko paper. As it is regular paper, there were no surprises there. The alcohol-based products bled through as expected, the very wet gel pens bled through as well, as did the water-soluble ink of the Inktense pencils (though that was likely due to the water saturating the paper). As for the other markers, while they didn’t bleed as much as the first ones mentioned, most of them had significant ghosting and shadowing through the thin paper.

What really surprised me, however, was the Molecularis paper. There was almost NO bleed-through! I found myself double-checking to be sure, but really- this is it. I numbered the back to make the areas easier to check, and the only one that had anything close to bleed-through is #20 – “assorted Gelly Roll”. Specifically the ones that bled are their Gold Shadow line, which is a two-tone ink that leaves a colored outline with a gold fill.

The alcohol-based Sharpies and Bics didn’t bleed. The Spectrum Noirs didn’t bleed – which means Copics won’t. The water-soluble medias didn’t bleed nor warp, even with a significant amount of water used (I activated all the wet-media with my Derwent waterbrush).

It’s not completely perfect, of course. If I LOOK for issues while the paper is flat (above), I can see slight ghosting in cells 3 (chisel-tip Sharpie), 9 (Bic Mark-It fine tip) and 17 (black colored pencil, applied with firm pressure to fill in the shape). However I don’t believe these are issues that would affect the intended use of the coloring flip book.

I’m blown away, I really am. If I hold it up at an angle, allowing a bit of light to get underneath, there is the slightest ghosting where I colored in the other blobby shapes, with still only the cells referenced above having the most visibility (the Sharpie and Bic showing not only the coloring-in but also my doodling as well).

I’m really impressed. I’ve used many coloring books where I’ve had to make a conscious choice about what page I wanted to color, knowing the image on the reverse would be ruined. Obviously with a book meant to be reversible the company had to consider this, but it almost sounded too good to be true, which is why I had to test it for myself.

Since their original launch Flipboku has expanded their flip book range, with not only the Molecularis and Blanko books (or a bundle with both!) but also fully-illustrated flip books designed in collaboration with different artists. If you’re into history, sci-fi, or even romance, you’ll find an animated book that leaves you in awe of the magic in the tiny printed movies.

You can visit their website here to shop their really cool products, or click here to access their brand new 2-volume Kickstarter that officially launched yesterday.

The first volume of the new Kickstarter, Dots, is a flip book with 6 different animations (also called sequences) created by internationally renowned animators. Each side of the flip book contains 3 different sequences made up of 36 pages. Once you have connected all the dots in one sequence, all you have to do is flip it to discover what is hidden behind the dots.  After that, you can even grab your favorite coloring pens and color the animations, so in fact you have a dot-to-dot flip book and a coloring flip book, all in one!

For the second volume, Lines, they have selected some of the most puzzling optical illusions and turned them into animation. Most of these sequences are based on the dot-to-dot technique as well. They work in a similar way to the ones featured in Dots, but in addition, once all the dots are connected and the pages are flipped, the animations produce mind-boggling optical illusions. Ranging from astonishing to downright weird these sequences include impossible figures, geometrical illusions and visual paradoxes that will play awesome tricks on your eyes and mind.

Note- The above text and gifs are taken from their Kickstarter. While some of the product links above are affiliate links (Amazon) this post is not sponsored. I ordered and paid for Molecularis on my own and Flipboku hasn’t done anything for me beyond send me the paper samples at my request. I just thought it was a unique variation on a coloring book that my readers would enjoy. Happy coloring!


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A New Year = A New Challenge!

Last January I set up a challenge on this blog- to celebrate 2019 I would convert 19 long-languishing WIPs (works in progress) into FOs (finished objects).

This year I’ve set a new challenge for myself, one with a bit of a lighter workload since I’ve got so many other things on my plate.

We’re big Moriah Elizabeth fans in this house (the sprinkle song is our jam!) and while I’ve managed to distract Henri from wanting his very own Pickle plushie, I did cave and buy him Create This Book for Hanukkah.  

I ordered volume 1, and when it arrived I realized I’d accidentally put 2 copies in my cart.  We took a quick household vote and instead of returning it, we decided to keep the second copy for me and Jakob to use.  Thus starts the first monthly segment of our Create This Book v1 adventures.

It’s the 2020 Create This Book Monthly Page Create-a-long!

There’s also a volume 2 but we’ll be starting with the first book and working our way forwards.

Henri picked this page to start with in his book, so to catch up I’ll be making that my January page as well. My goal is to do (at least) one page each month. 12 pages doesn’t seem like a lot, but I’ve got a TON of stuff going on this year and don’t want to over-commit.

I have six days to come up with an idea, draw/color the page and then post it to the blog. The idea hasn’t come yet but the supplies have been decided- I’ll be coloring the page with my adored Faber-Castel Polychromos. I can’t help but hear Mike Myers in my head when I use them because they color so smoothly that it’s just like butter.

By the way – if you’re always in search of new, better pencil/pen cases like me, I can happily recommend the Thornton case pictured above. I own a lot of colored pencil sets with 100+ colors and quickly outgrew the 32, 48, 56 and 72-pc sets I’d invested in years ago. Last winter I did my research and bought a few larger cases in different styles then spent a cozy snowed-in winter weekend reorganizing all my pencils. (Yes, it’s the little things that make me happy LOL). Now I have enough room to store the full 120pc pencil set plus additional tools like a fineliner, stick eraser, my favorite blender pencil, and a white marker*.

Note- in Canada at least, the listing for the empty case itself seems to be sold out. The exact case full of 150 of their own-branded colored pencils, however, is available here.

*Money-saving tip: There are a LOT of white markers out there for adding highlights to your drawings and coloring. Sakura Gelly roll white pens are great, Sharpie paint markers can be fantastic, and many other brands have good ones too. But my favorite white “pen” is 100% the Liquid Paper or Wite-Out corrector pens. They give the most opaque, solid coverage because that’s literally what they’re designed for, and can very often be found in the stationary aisle of your local dollar store. (I get mine at Dollarama).

This post may contain affiliate links. This means I might make a small commission on purchases made through the links, at no cost to you.


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Quick Crafty Tip: Using Pants Hangers

I don’t have a ‘Crafty Compilation’ for either of the last two weeks as I’ve spent them working primarily on some sample knitting that I’m not sure if I can talk about yet.  So, instead, here’s a quick tip for those of you who enjoy coloring: pants hangers are your friend.

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Yup.  Actual hangers that you use to hang up your pants.  (Or your kids’ pants, in my case).
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I’ve been using binder clips with my Art of Coloring: Disney Villains book ever since I got it.  I’ve been using a lot of water media in it and I’ve taken to clipping the book shut whenever I’m not using it to minimize most of the page warping.  Because this book has thick cardboard covers it stays open pretty flat on its own, though I tend to pop the clip onto my working page mostly so I don’t misplace it until I need it again.  With other books I’ve taken to working on a clipboard for both the hard surface as well as the ability to clip the book open to my current page.  For the most part, that worked perfectly.

tip color with clips 04Then one day I was laying on my belly in bed coloring the page above (the Eagle image in Kerby Rosanes’ imagimorphia).  It was held down by my clipboard on the far right of the right page but I kept getting frustrated at the left-side page flipping shut every time I reached over for my coloring supplies (Stabilo 88 and Staedtler Triplus fineliners, as well as Caran D’Ache Neocolor II watercolor crayons for the purple wisps).  I’d been laying on my belly and constantly raising up onto my elbows to brace the page between color changes was starting to hurt more than the coloring itself soothed.

Henri had had a similar problem holding open his Pokemon books so he could sketch from them, and I’d lent him my cookbook stand.  It was a great solution but now that I needed it I didn’t have the heart to steal it back for myself.  That’s when I remembered the image going around Facebook a while ago in a list of kitchen tips: using a pants hanger to hold your recipe up and out of the way, by hanging it from an upper cabinet doorknob.  I had no need to hang my coloring book, but it would be perfect for what I needed too!

tip color with clips 03

And it was!  The two clips hold the pages down on either side, but the stiff bar that connects them keeps them open flat, where the book could otherwise still slip shut.  (The above wip image is also from imagimorphia, and the background wash was done with the Neocolor IIs).  After you’ve finished coloring the page, the hanger can then be used to clip the book shut as it dries to minimize any warping from the wet pages.

If you wanted you could also store your books from the hangers, sideways along a bar similar to needlepoint sets.  (Ooooh now I’m picturing a dry cleaner-style conveyor holding all my coloring and craft books… that would be awesome!!)

tip color with clips 01

And for an easy reminder to pin:

tip color with clips titled

That’s all for now.  Hopefully this tip could be handy for some of you!

This post may contain affiliate links. This means I might make a small commission on purchases made through the links, at no cost to you.


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The Princess Bride Coloring Book: the Grandfather and Grandson double-page wip

…aka the Fred Savage/Peter Falk double-page spread.

Sometimes I like mindless projects like stockinette stitch knitting or coloring where the resulting image can look like anything I can imagine.  Other times the challenge of replicating something existing is what thrills me, like Henri’s Pitfall: The Lost Expedition cake that had to look like a scene from the game, or my (full posts still outstanding) Skylanders Sprocket cosplay that had to look like the character from the game.  After a more casual take on the first few pages in the Princess Bride coloring book I was really eager to tackle something detailed and specific, so I was really happy to turn the page and see one of the the Grandfather/Grandson scenes from the movie’s framing device.

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For reference, here’s a still from that scene in the movie:

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Just like with the Kaa/Mowglii page in the Art of Coloring: Disney Villains book, the Sherlock coloring book, the Doctor Who one, and others, I think some of the more photo-realistic pages start with photoshopped stills that are then cleaned up and refined by the artist.  In this case the only real differences between the book and the movie are a different jumble of toys and books on the headboard and the altering of Fred’s jersey, both changes likely due to the trademarks involved like the Bears, the Cheetos, and the He-Man figures, etc.

princessbride-wip-012

I don’t have progress pics from before this point because I was so into the coloring that I forgot.  I’d started with the lamp… for no real reason other than I’d wanted to.  After that I started thinking about how the Inktense pencils behaved: while they’re supposed to be permanent, if not fully activated they’d bleed into the surrounding areas.  So, for example, if I laid down a lot of pigment making his hair dark brown, and missed some stray bits near the outline, that dark color would bleed over into the white headboard/shelves if I got too close with my wet brush (which is why I’m leaving that, among other areas, for last).

I spent waaaaay too long on the bedspread.  Even after choosing the colors I spent more time than necessary figuring out if there was a repeatable pattern I could copy.

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(Go figure I didn’t find THIS pic until I was done that part.  Sigh.)

Once the stripes were done I tossed in a bit of shading, then did the pillows.  Next up was the skin (within which the shadows look a little exaggerated at the moment, but I plan to smooth it out with some colored pencil at the end).

princessbride-wip-013

I broke my own ‘dark colors’ rule in doing the jersey next (it’s the exception that proves it, right?) and then the shadows along the wall/shelves/head board.

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And this is the point I’m at now.  I’ve started tossing some color into the books and comics and toys other odds and ends strewn about.

Oh- I wanted to say something excellent about this book: while it’s not made to hold heavy applications of water, and will definitely never stand up to alcohol markers, I’ve put this page so far through a lot.  After working some areas, like the jersey, it was with a lot of trepidation that I turned back to the page before to check for bleed-through.  The page on the other side of this one is the ownership page, so with only the smaller scollwork/flowers in the center of the page, there is a LOT of blank area for ghosting and bleeding to show through.

There’s none.  Nada.  Zilch.  In fact, I took the pics in my previous post after already coloring this far, so you can see for yourself that there aren’t even traces of ghosting to disrupt the background.  🙂


You can find more coloring-related posts sorted by material or book at the Coloring tab in the header above, or click here for more posts about The Princess Bride Coloring Book.

Other pages from this book so far:

This post may contain affiliate links. This means I might make a small commission on purchases made through the links, at no cost to you.


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The Princess Bride Coloring Book: ownership page wip

I know, I know- three posts in a row!  I told you- I’m addicted to this book, and if I don’t start posting stuff from where I’m at I’ll keep winding up too far ahead.  Unlike tutorials or cakes where once they’re done, they’re done and I can post the finished thing anytime, ideally with coloring projects I could be somewhat up to date so I can post pics here or on my Instagram as I work on them.  Since this book is my current obsession, I’m making sure to get these posts out before I move ahead too far.

So.  This is the ownership page in progress.  (If anyone isn’t following along this is the The Princess Bride Coloring Book, colored with Derwent Inktense pencils).  For the most part it’s a repeat of the title page, since it has the same buttercups and carved wood.  I did learn from my mistakes on the last page, however, and went lighter for my initial passes at the wood color.  I haven’t done any colored pencil shading on this one yet, and so far it reminds me of the strips of Birch kids would get in trouble for tearing off the trees at my old camp.

princessbride-wip-007Before giving the book pages a slight antique stain I’d lightly sketched out my name, trying as best I could to match the font on the opposing page.  In pencil it looked great… only I’d been hasty in wanting to finish that part and I’d used the first ink pen I’d had handy not even thinking that the nib was thicker than the printed ink.  I traced the “J” and instantly regretted it, wishing I’d used one of my smaller sizes Micron pen instead. However, now that I’d started it was too late to do anything about it. Hmph.

princessbride-wip-008

I’d even tried to erase the ink over the J, wondering if it would fade it enough to not stand out with as much contrast as it was having.  Again I was being hasty and nearly smeared the black ink.  Sigh.  In the end I managed to salvage the pic, I think.  Since I couldn’t undo the thicker outline on the right, I chose to use the same pen to outline the existing words on the left, so both pages matched.

The Inktense on this page is complete, and all I want to do now is darken the depths of the shadows of the wood and the flower centers with some colored pencil, and then this page will be done.


You can find more coloring-related posts sorted by material or book at the Coloring tab in the header above, or click here for more posts about The Princess Bride Coloring Book.

 

This post may contain affiliate links. This means I might make a small commission on purchases made through the links, at no cost to you.


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The Princess Bride Coloring Book: publication info page wip

Since the last page in The Princess Bride Coloring Book I’d been working on had just used so much brown, when I turned the page I was craving to work with color.

(As an aside, you can clearly see the lack of bleed-through on this page, even after all the layers of color I’d put down).

Still working with the Inktense, I started at the sun in the center and worked downwards.  I used a few shades of yellow for the sun then started with the oranges, using the darkest color from each section as the palest in the next.  So if the first section used colors A and B as ABABAB then the next section was BCBCBC, then CDCDCD, and so on.  I planned the gradation deliberately timed so the blues would hit by the waves, then the teals/greens in the water.

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The lines are so narrow that I can’t really look up to watch tv or something while I activate it, so I’ve been working on it here and there while catching up on past episodes of the podcast Lore.  I’m in no rush, though, as I love watching the muted pigment (the left side) spring to life once wetted (the right side, up to midway).princessbride-wip-005

 
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The Princess Bride Coloring Book: title page wip

As I mentioned in my last post, I’ve been completely addicted to the Princess Bride Coloring Book lately.  I’ve been using it as my reward for getting chores and stuff done, and currently have 5 pages in progress.

The title page is the first one I started with.  I confess I felt really dumb when, after staring at the page for a while trying to figure out what color I wanted to make the flowers, I had a flash of insight and did a quick Google search.  Sure enough – sigh – they had to be yellow.  They’re buttercups!  😀

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My plan for the book is to work primarily with my Derwent Inktense and then finish up with colored pencils when/if necessary for some finer detail work.

I don’t have full step-by-steps of the order I’d worked but for this page I’d tackled it like this:

-First I colored the buttercups with two shades of yellow (it’s hard to see but there’s a darker yellow in the center) and then done the greenery

-Next I used Payne’s Gray to shadow in some clouds behind Buttercup and Westley

-Then I colored the crown, using an image of Buttercup’s coronation crown for reference

-Then I worked on the ship.  I spent way too much time trying to find decent pics of either of the two main ships in the movie (The Dread Pirate Roberts’ ship or Vizzini’s ship) but the one drawn doesn’t perfectly match either.  If anything it’s closest to Vizzini’s but it has a skull and crossbones flag so…?  Finally I did my best approximation copying, of all things, a LEGO ship build.

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-Next I threw some gray and black into the two rapiers, and some pinks into the background, plus darkened the grays to give the illusion of mountains or far-off lands.

-The last thing I did at this step was to color the carved wood.  I did a HORRIBLE job with my shading, and, while this paper is pretty thick and didn’t bleed through at all, it does start to pebble after too many water applications, so I eventually maxed-out on how deep I could get the shadows.  That’s when I decided to jump right into some colored pencil.princessbride-wip-010

In this image (above) I’ve worked colored pencil shading on the left side of the wood carvings only (so far), and I’ve used an eraser to lift out some highlights in both the wood as well as the sword handles.

 
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Coloring Mowgli and Kaa in The Art of Coloring: Disney Villains with Derwent Inktense Pencils

For my birthday Yannick got me this excellent coloring book called The Art of Coloring: Disney Villains.  I’ve completed a few pages in it so far, as well as have some in progress.  This is one half of a two-page Kaa spread (from The Jungle Book) that I recently finished.

trust-in-me-wip-collageThis is the left-side page, that’s still in progress.  I’d begun coloring it in November with my Inktense in Sun Yellow, Lagoon, and Mallard Green to best match the coloration of Kaa’s hynotic eyes.

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I did all the writing and then got a little bored LOL and moved on to the facing (right-side) page.  While Googling to find the accurate colors for Kaa and Mowgli I found further proof that a lot of the images in the book are based off of stills from the movies themselves, as it is often quite easy to find reference images in nearly the identical scenarios.  Case in point: Kaa’s face above…photo-2016-11-19-12-04-03-am…combined with Mowgli all wrapped up… become the coloring page in the book.

I decided to try something a little different on this side, rather than do the lettering as I had on the other side.  First I colored in the background writing with a really sharp white colored pencil, then I did a light wash of Inktense pigment over those areas.  The wax from the pencil provides a resist, leaving the lettering white, while the background paper picked up the color.  It was a fun experiment to try, and I’m happy with the results… though I wish I’d used a darker color for the background – maybe a magenta or something – to make the white letters really pop, visually.
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After that the coloring was straightforwards.  I colored Mowgli first, and then for Kaa I went in stages, starting from the lightest colors, to the darkest.  I colored all the sections of his underbelly, followed by his back, and then the spots were last.

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The image above is the page after I was done.  Technically.  But I found that it looked rather flat on the page, so I went at it one more time using a darker color for shading everywhere the snake’s coils overlapped.
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It was a fun page to color, from an excellent coloring book.  The entire page was done with Inktense and painted with my waterbrushes and as you can see, it’s not buckled at all.  I do keep the book closed with a binder clip when I’m not coloring to help keep any wet-media pages flat, but even still, the paper is thick enough to support moderate water use.  In fact, from my trials on blank areas in the back of the book, the only spots where I saw bleed-through were with my alcohol markers (of course) and one area where I’d colored with a red Inktense pencil and applied too much water.  I haven’t used much colored pencil in the book, but I have used the Inktense on a number of pages, as well as gel pens and fineliners, and it took them all beautifully.

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Creative Coloring Througout the Year Gratitude Journal

I had an idea the other day that I’d love to share with anyone interested in coloring, journaling or scrapbooking.  It’s something I definitely plan to do over the upcoming year, and I’d be so happy if anyone else made it their habit as well.

One of the gifts I received at our family Christmukkah Day (Christmas/Hanukkah/Birthday) gift exchange this past weekend was this Creative Coloring Throughout the Year 2017 desk calendar.  It’s one of those ‘page-a-day’ type, like the knitting calendar I’ve had a pattern published in in the past.

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The top two-thirds of each page contains lineart to color in, below which is the date and a small lined section for making note of appointments, or birthdays, etc.  The images are detailed enough to have fun with but not too large so as to be daunting at the thought of ‘having’ to complete an entire one per day.  They’re sized perfectly for fineliners or sharpened colored pencils, though I found I was able to use the broader nib of gel pens in mine without too much fuss.

Now, when I first opened it I was initially really tickled at the prospect of a small bit of coloring I could look forwards to daily.  I even thought it might be fun to bring to work, to perhaps have a little something to scratch at with my ballpoint pens during lulls in the day.  Then it hit me- I don’t want to throw out something I’ve spent time and effort creating (and don’t let anyone tell you differently- coloring in is still creating).

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But what could I do with the pages?  Of course, being a crafty person, ‘scrapbooking’ was one of the first ideas that came to mind.  However one insanely expensive all-out scrapbook in the past was enough to convince me I am so not interested in scrapbooking, which my wallet is quite thankful for.  So keeping the pages merely for the sake of keeping them was out, especially since I’m trying to pare down this year, not accumulate more clutter. So I wondered: was there anything I could do to make them useful?

And then it hit me…an idea that’s simple enough for children to do and yet so sweet that I hope others will like and benefit from it as well: a gratitude journal.

The plan is simple.

After I color each day’s page I’m going to use the notes area to jot down something I’m thankful for on that day, or a few things that made me happy.   Then I’m going to glue them down into a scrapbook (in my case the 80-page sketch book from my local Dollarama).

I’m so excited about this.  At the end of the year at worst I’ll have a bunch of pretty pictures to look at and at best I’ll have some great memories to treasure.

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As you can see I’ve only got a few images colored so far, so I’m already behind, but my aim for coloring each day’s lineart is way more therapeutic than technical, so I’m not trying to create any mini masterpieces.  As such I’m planning to get through the outstanding days’ pages as quickly as I can so I can start properly and keep it current.

I would really prefer to have two days per page instead of three as shown above.  With four images per sheet (two on the front, two on the back) the 80 pages the scrapbook holds would only give me the ability to store 320 days…not quite enough for one full year.
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I’ve got more of these books, though, so at some point I plan to swipe the missing pages from another sketch book and ease them into this one so I can have the entire year together.
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Above you can see the days I’ve already colored, and here below is a sneak peek at January 4th.  The others were done using fineliners and gel pens, but this one I’m doing with colored pencils and using varying amounts of pressure to get different shades within the image.  For example, the frog was colored with only one pencil, pressing harder in some spots and lighter in others.  Same for the flower, and I’ll be completing the image the same way.

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As you can see it’s not about the media nor the execution, it’s merely about the process.  The act of putting color to paper while letting your mind wander… letting the day roll off your back and allowing yourself to focus only on the wonderful memories that you want to commit to paper.

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I do hope you liked this idea and if anyone plans to start their own coloring calendar journal please let me know in the comments, I’d love to see it!

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And here’s the full plan in an image for my fellow Pinners.