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Grimm Fairy Tales’ Alice in Wonderland FO

Next up in the run of finished coloring pages I tackled for my 19-WIP-to-FO Challenge is from the Grimm Fairy Tales coloring book.

I’d started this page back in 2017(!!) using the cover of the coloring book itself as a reference.

I’d found this 24-pack of Staedtler Colored Pencils at my local dollar store and was curious about how they would compare to more expensive pencils. Would I be able to get good results without paying very much?

As always I swatched the colors first for my swatch book. They’re very soft and muted, and the swatches remind me a lot of the Marco Raffiné colored pencils I reviewed here.

The pencils have hard cores that hold a point well but the color payoff is not very vivid. Even with a lot of pressure they remain desaturated and soft-looking.

Using light layers I was able to build up some color depth but it wasn’t easy.

What I’d said in my previous challenge post about this page:

As the caption states, I wanted to finish this page primarily so I wouldn’t have to use the pencils any longer.

Once the image was complete I found it lacking without a background but didn’t have any inspiration for what to put. In the end I did soft swirls with pink, purple and blue to fill in the white space.

Start date: November 2 2017

Completion date: January 6 2022

Summary: can you get good results with cheap pencils? IMHO, sure. I enjoy using my other pencils more, but if you’re looking for soft colors, hard leads that will hold a point and have a decent assortment of colors, you could do a lot worse than these inexpensive pencils. I wouldn’t recommend them for professional artists but they’d be fine for kids, school or coloring books with small sections that need good points.

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Kerby Rosanes Imagimorphia Eagle Page FO

The third coloring-book-related 19-WIP-to-FO-2019 Challenge update is the “eagle” page from Kerby Rosanes’ Imagimorphia. What I’d said at the time:

At the time I’d done the rainbows and an assortment of small areas with Stabilo 88 and Staedtler Triplus fineliners, then worked the clouds with Neocolor II water-soluble crayons.

I still don’t know why I lost interest. Likely it was because so many fun coloring books had come out around the same time and my attention span was fickle 😉

When I resumed working on it I filled in the remaining areas with the same fineliners as well as my set of Feela double-ended markers that have a brush tip on one end and a fineliner on the other.

I added Inktense water-soluble ink pencils at the end for the background, but clearly had not yet figured out how to apply them without leaving streaks, sigh.

I can’t say I’m super thrilled with the final image, though I am quite happy it’s done.

If I were to start it all over again I’d pick a cohesive color palette with the Color Catalog first. Ignoring the larger picture and working everything as individual motifs gives a rather chaotic look in the end that I don’t think I pulled off well.

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Doodle Fusion Marco Raffiné Test Page & Review

The next 2019 WIP to FO Challenge update (posted a whole 3 years later…sigh) is this page from Doodle Fusion. I love this silly book so much and have completed a bunch of pages from it (unposted), as well as prepped some in my color wash attempts. As they’re all filled with an assortment of wacky monsters it’s hard to come up with a unique name to identify some of the pages so since this one was deliberately done solely with the Marco Raffiné oil-based colored pencils, it’s become known as my test page of such.

I started this Doodle Fusion page on September 8 2019 with the intent of completing an entire page with the Marco Raffinés to really get a feel of how they work and blend.

I really like these pencils! They’re inexpensive (especially compared to the Polychromos or Premiers), and though the different pencils can’t truly be compared as oil-based vs wax-based will give different results and be preferred for different projects by different artists, they have their own unique charm and have been a joy to use. They’re less vibrant than some other brands but are no less pigmented, so while you won’t get neon brights (making them not a good choice for a fun 80s page) they’re great for softer, almost whimsical looks. They’re also slightly water-soluble, as per my tests here.

The first three images below show the lazy progress made over the rest of that month. I’d worked on the page slowly, picking out individual creatures and sections at random depending on my mood at the time.

Posting my WIP-to-FO challenge publicly spurred me to continue working on it, and the fourth picture above was done in January of 2019. I did a bit more work that month and then my attention waned again…

…until October 2020 when I finally picked it back up, determined to finish it once and for all.

I added a fading border to the outer edges in order to test the pencils’ (and my own) shading and fading capabilities. Once that was complete I finished the remaining creatures and doodles.

Overall I think these pencils work wonderfully in this book. It’s a plain-paper coloring book which can make using wet media difficult (although the pictures are one-sided so bleeding won’t be an issue if you protect the subsequent pages with a sheet of cardstock or something. There isn’t a lot of tooth to the page which isn’t the best for colored pencils generally, but these have enough “stick” to really take to the page well. After 2 years the page looks identical to the image above with no bloom (as can happen with wax-based pencils) and no apparent fading.

The only flaw I can see with the Marco Raffinés is the color payout. A number of sections above (ie: the red ball cap, the red 6-legged monster near the middle, the purple creature at the bottom center, the crayon bodies) were colored with maximum pressure to get the darkest, fullest coverage possible. As you can see there are solid, even sections of color but no real “brightness”. To me, all of the colors have a softness to them, even at full strength making them feel almost desaturated. You can see the difference more clearly in my swatches below.

Every time I get new colored pencils I swatch them, labelling the swatches with the color name or number. The oil-based Marco Raffiné pencils (above) are lovely and soft, and very similar in tone to the Faber-Castell Polychromos (below), which are also oil-based.

The Polys have more colors but the feeling of the individual shades is still softer, almost velvety, whereas the wax-based Primsacolor Premier pencils (below) are brighter and more vivid. (Click on any of the swatch images for a better view).

If you’re looking for deep, bright colors then you might be dissatisfied with these…but for anyone else they make a great, inexpensive option to have in your coloring toolkit.

This post may contain affiliate links. This means I might make a small commission on purchases made through the links, at no cost to you.


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The Time Garden – Quilt Page FO

This past Tuesday (Aug 2nd) was National Coloring Book Day. I’d originally planned to celebrate and post by working on a new page from one of my books but I’m working on a major knitting project that is requiring my time and my hands. Therefore instead I’ll be sharing some completed pages that were part of a previous blog post series of mine – my 2019 19 WIP to FO Challenge.

First up is the Quilt Page from Daria Song’s The Time Garden.

What I’d posted at the time:

This page took nearly 3 years (!!) to complete, due to nothing but me putting it off forever. I’d started it on June 11 2016 and finally finished it on March 7 2019 making it one of the 19-for-2019 WIPs actually FO’d during 2019.

The small sections and tiny details of the page made it ideal for fineliners. Except for some metallic accents (using my favorite Gel Xtreme pens that have lasted for literal DECADES) the whole page was worked with Stabilo 88s and Staedler Triplus fineliners.

The quilt flower blocks repeat on a diagonal so I chose a different color palette for each row and worked the same 5 colors for each stripe but rotated clockwise once for each repeat. (IE: the color that was at 12 o’clock in the first repeat was used at 1 o’clock in the 2nd, and 2 o’clock in the 3rd, etc). This kept the coloring more interesting than coloring the same thing many, many times over.

And then I stopped with only one set of repeat left to go. No idea why, but as I’d kept the paper with my swatch notes it was easy to pull out the matching colors and get to work finally finishing it up.

I used the same colors for the matching quilt flowers in the main character’s hair on the facing page. I’d had the idea of coloring her the same through the whole book so left her uncolored until I was ready to tackle her on all the pages.

It’s a busy, chaotic mess but it’s finally done!

This post may contain affiliate links. This means I might make a small commission on purchases made through the links, at no cost to you.